Why Grit Is An Overrated Quality

by Nina Post

What is grit?

"Grit entails maintaining allegiance to a highest-level goal over long stretches of time and in the face of disappointments and setbacks."

Or to put it another way: Grit "entails having and working assiduously toward a single challenging superordinate goal through thick and thin, on a timescale of years or even decades."

Grit is closely tied with a growth mindset, and I agree with a lot of aspects of the growth mindset.

But I find grit overrated, especially for startup founders.

Here's why.

Most founders have an inherent belief that their business is unique and the same type of opportunity won't come along again. A founder generally rates the likelihood of their own success as much higher than what the data shows, and rates the potential of failure as much lower.  

They think, "This is my shot. This is it." And because they have this belief, they want to shoot for the moon: a huge acquisition or an IPO. Selling their company for anything less than a huge sum of money—however arbitrarily that may be defined in their mind—feels like giving up.

And so they work "assiduously toward a single challenging superordinate goal through thick and thin, on a timescale of years or even decades."

My husband is a startup founder. Years ago, when he was getting home at 4 am every day, worried about retaining the one customer that made up the bulk of the company's revenue, I turned to reading Epictetus and Marcus Aurelius—stoics I was already very familiar with—to help myself deal with it, and help him deal with it.

(It didn't help that the company was based outside the core startup hubs, but that's another blog post.)

For more than a decade, he has been "maintaining allegiance to a highest-level goal over long stretches of time and in the face of disappointments and setbacks." And, oh man, the disappointments and setbacks. It was one gut punch and uppercut after another, and that's barely doing the experience justice. It took grit, but was it worth it?

A startup founder needs an experienced mentor to tell them, "This won't be the only thing you ever do." They need a mentor to tell them, "It's far easier to do something else, to start another company or to join one, after you've exited from one." We didn't have any mentors, and didn't even have any other founders to confide in. 

If a startup isn't getting significant traction after two years, three years at the most, a founder should find a buyer and move on.

Why? Because for every example of someone who spent twenty years on something and had a good outcome, there are 999 people who worked on something just as long and didn't get anything out of it. Hard work is a tiny portion of the success formula for a new business. As Jens Lapinski, Managing Director of the Techstars METRO Accelerator in Berlin, writes:

"Building a successful startup is incredibly difficult. The reason is this: In order to build a great startup, EVERYTHING has to work out for you. EVERYTHING. The CEO, the team, the market, the business model, the pricing, the marketing, the sales, the customer success, the design, the engineering, finance, HR, recruitment, culture, your investors, your board, your advisors, your competitors must screw up, the world changes in ways favorable to you, the tech stacks shift in your favor. And more. EVERYTHING. If only ONE of those things goes really wrong, you will likely shut down. ONE key aspect wrong, company likely dead. You need to master ALL of them. And if you want to build a world class company, all of these better be world class."

And this is why grit is overrated. All the grit, determination, and hard work in the world isn't going to move the needle on the things that are beyond your control.

Once you realize that there's a lot more to success than just hard work, you're more likely to be able to make smart decisions about which projects are worth persevering on despite the odds, and which ones are best put aside in favor of new opportunities where those all-important external factors are more likely to work in your favor.

 

My Norwescon 39 Schedule

 


I'm excited to be a returning panelist at Norwescon 39 this year, with eleven panels, three moderating -- including a reading (last time there was just someone vacuuming the room, so please come), and an autograph session (and for the latter two I'll have toys, prizes, yummy baked things, and more).

Last year I over-prepared for my nine panels, because I tend to over-prepare. I prepared to the point of saying things like, "So, Yog-Sothoth's Flaugnarde [note: This is not a real panelist's name, and I am absolutely going to make this for breakfast one day], I hear that your pet nutria is your alpha reader, and helped you write the spec-fic story 'Under the Ham.' How does that partnership work, exactly?" (Did you know there are nutrias over at Lake Washington?) This year, I'll have some basic notes on an index card, not the Torah-like scroll I had with me last time — and now that I know what it's like, I'll be more at ease.

Here's my schedule! 

 

Thu 3:00pm - 4:00pm - Cascade 10
WRI07 - Your Story is a Problem & That's Good
Dean Wells (M), Peter Orullian, Frog Jones, Dave Bara, Nina Post
A story is about a problem. Your hero has to solve that problem. How do you balance the two? If your hero is too big, the resolution comes to easily. If the problem is too big, the resolution feels like a cheat. Listen as our pros share how they scale their crises and heroes with a fit that's dramatically plausible and satisfying.

 

Thu 4:00pm - 5:00pm - Cascade 5&6
FAN01 - What If?
Django Wexler (M), S. A. Bolich, Nina Post, Renee Stern
Historical Fantasy's magical sandbox of looking at real world events and making alterations is discussed. Join our pros as they unpack the tools, methods, and topics that reside in historical fantasy.

 

Fri 12:00pm - 1:00pm - Cascade 9
HOR03 - Horror Influences
Nina Post (M), K. M. Alexander, Morgue Anne, Alex C. Renwick, Lisa Bolekaja
We talk with our expert panel on who inspired them to write/create horror and on what scares them.

 

Fri 1:00pm - 2:00pm - Evergreen 3&4
POP02 - Comics on TV
Nina Post (M), Spencer Ellsworth, Lilith Whitewolf, J. Rachel Edidin
DC's television universe continues to expand, and Marvel is utilizing Netflix and ABC to explore very different ideas of what superheroes can look like on the small screen. Shows like iZombie and the Walking Dead are bringing lesser-known comic properties to the masses. The serialized storytelling and shared worlds that work so well in print are a perfect fit for television -- why did Hollywood take so long to realize it, and what's in the pipeline for the coming years?

 

Fri 3:00pm - 4:00pm - Cascade 3&4
BIO14 - The Languages of Speculative Fiction
Jason Bourget (M), Lawrence M. Schoen, David J. Peterson, Nina Post, Sean Hagle
As a part of their world building, some SFF writers create new languages. Most are used as naming languages or to flavor insults and courtesies; a small few become entities themselves, with thousands of speakers and an impressive body of translated and original literature. Join us as we discuss what is involved in creating your own language, and how much work is needed to get the results you want.

 

Fri 7:00pm - 8:00pm - Cascade 7&8
HIS07 - Adding Realistic Details to Your Fantasy Writing
Adrienne Carlson (M), Alan Paulsen, Nina Post, Laura Anne Gilman
 Anachronisms and just plain wrong details are sure ways to ruin the reading or viewing of otherwise immersive fantasy tale. It is the writer's responsibility to "get it right." We will focus on finding and placing accurate medieval/historical details into fantasy settings to keep the reader engaged and fully immersed in story. We will work on writing rich texture while avoiding common cliches and faux pas, showing rather than telling, avoiding info-dumping, and making the reader's experience smooth, compelling, and exciting.

 

Sat 2:00pm - 3:00pm - Cascade 9
HOR01 - The Ghostbusters Effect
Christopher Stewart (M), Amber Clark, Nina Post, Nathan Crowder
In which we discuss the impact the movie Ghostbusters made and continues to make on horror over the past three decades, from an increase in interest in parapsychology to a more open inclusion of humor in horror.

 

Sat 3:00pm - 4:00pm - Grand 2
MISC29 - Autograph Session 2
Amber Clark, Annie Bellet, Brenda Cooper, Carol Berg, David J. Peterson, H.M. Jones, Jeff Sturgeon, Jude-Marie Green, Julie Dillon, Katie Cord, Lawrence M. Schoen, Megan Kelso, Nina Post, Peter Orullian, Raven Oak, Stephen L. Gillett, Todd Lockwood

 

Sat 7:00pm - 8:00pm - Cascade 3&4
SF15 - You Can't Take the Sky From Me: Mixing Genres
Nina Post (M), Raven Oak, Spencer Ellsworth
A cowboy show in space is silly, right? Nope. We love Firefly. Join us as we discuss cross genre mixes in science fiction. What makes them work? What may be next?

 

Sun 11:00am - 12:00pm - Evergreen 3&4
WRI11 - A Thousand Words
Brenda Carre (M), Nina Post, Gregory A. Wilson, Luna Lindsey
Literature may be the art of beautiful words, but sometimes great writing comes from--or cooperates with--great images. Come hear how writers use drawings, photographs, and maps for inspiration, worldbuilding, character development, and more.

 

Sun 2:30pm - 3:00pm - Cascade 1
R41 - Reading: Nina Post

 

The Meryton Pit: Pride and Prejudice...with Batman

I wrote this silly, silly thing during a summer heat wave, based on something someone said on response on Twitter.

    

    It is a truth universally acknowledged, that a single man in possession of a Lazarus Pit must be in want of a wife.

     ***
   
    The Bennet family, like all surrounding families with daughters of marriageable age, considered any eligible man their rightful property.

    "My dear Mr. Bennet, have you heard that Netherfield Park has been let?"
    
    Mr. Bennet cleared his throat before cracking his poached egg with one swift blow. "No, I haven't heard." He calmly attended to the egg while Mrs. Bennet drew herself up in indignation.

    "Are you not even remotely curious who has taken it?"

    "Clearly, you are desperate to tell me."

    "Well then, if you must know. Mrs. Long was just there and tells me that Netherfield was taken by a single man of large fortune who came down on Monday and agreed, with great enthusiasm, to take possession of it immediately. What a fine thing for our girls!"

    Mr. Bennet frowned as he glanced at the paper, placed to the right of his breakfast. "How's that?"

    "Are you going to be obtuse for the entirety of the day? I am thinking he will marry one of them, of course."

    "Well, why not marry you, instead?"

    "Oh, my dear, I have certainly enjoyed more than my share of beauty, but when a woman has five grown-up daughters, she must relinquish at least some of the attention she once received."

    "Well, I consent to his marrying any one of the girls, whoever he is, but especially my Lizzy."

    Mrs. Bennet reared back. "Lizzy? Lizzy is not one bit better than the others! She is not so nearly as good-looking as Jane, nor as thoughtful as Mary, nor anywhere near as quick-witted as Lydia. In point of fact, your little Lizzy is as plain as a patch of dirt, as boring as a tree, and about as good-humoured as that egg you're tormenting. But you always favor her."

    "None have much to recommend them as daughters, wives, or people," Mr. Bennet said, sipping his tea. "I dare say we have failed miserably in bestowing the world with anything useful, but Lizzie has a slight advantage. Though I'm not quite sure what that is."

    Mrs. Bennet raised her chin. "Regardless, we will meet him at the next ball and find out which of our daughters he will take to, if only by scent."
    
     ***

    Mrs. Bennet was delighted to hear that the eligible man, Mr. Bingley, would be attending the next assembly with a large party. When they entered the assembly rooms, however, there was merely a party of five, consisting of Mr. Bingley, his two sisters, the eldest sister's husband, and another man following just behind. The man quickly drew the attention of the room by his scallop-hem cape, a cowl adorned with small bat-like ears, and some kind of weighted belt.

    The ladies declared the man with the cape must be from London, and covered with coal dust from his journey – and agreed that he was more handsome than Mr. Bingley.

    He was looked upon with considerable admiration for half of the evening, until his manners turned the tide of his popularity, and then not even his purportedly huge estate could make up for his disagreeable countenance. He refused to dance even once, preferring to merely stalk around the room, staring intensely at both men and women.

    Everyone decided he was the proudest, haughtiest, most disagreeable man in the world.

     ***

    Batman moved around the room, overhearing parts of conversations.

    " – inherited nearly a hundred thousand pounds from his father – "

    " – absolutely charming, good-mannered, lively man – "

    " – heard Netherfield is right over the village's ley lines – "

    At the last bit, Batman brought his wrist up to his mouth, pressed a button, and murmured, "Alfred? I have a lead on the Lazarus Pit. As we suspected – "

    But then Mr. Bingley left the dance to talk to him.

    "Come, Batman. I must have you dance. I hate to see you standing about by yourself in this tenebrous manner. You had much better dance."

    Batman frowned at him. "I don't dance."

    "Some light conversationing, perhaps?"

    "I am not here to dance or make light conversation. I am here to find something that's too powerful and dangerous for anyone's good."

    Mr. Bingley raised a brow. "The waltz? Yes, I've heard of it. A scandalous thing."

    Batman looked around. "Not the waltz." He paused. "Besides, there is not one woman in the room who intrigues me."

    Mr. Bingley furrowed his brow. "Upon my honor, I have never met with so many pleasant girls as I have this evening."

    "You are susceptible to mind control, whereas I am not." Batman squinted up at the top edge of a window. "I should go. My ontological suffering has reached a critical threshold."

    "Several of these girls are uncommonly pretty," said Mr. Bingley. "Like one of the sisters sitting right behind you. She's quite handsome."

    Batman turned and glanced at Lizzie Bennet. "If you put her in a catsuit and gave her a whip, I could tolerate a night or two."

    Mr. Bingley went to dance, a bit stunned, and Batman stealthily left the room.

     Moments later, everyone gathered at the windows, expecting a powerful thunderstorm, but saw only a black beast of a chaise roar down the drive.

    ***

    Later that evening, Batman paced in his study at Pemberley, the estate he temporarily claimed after traveling back in time with Alfred, his butler.

    "We have to find and seal that Lazarus Pit, Alfred. I'm certain it's in Hertfordshire, and almost as certain that it's in this very town. I overheard someone say that Bingley's estate is on ley lines. I'd bet my submarine that – "

     "Oh, by the way," Alfred said, "the wormhole dented the light hull, but don't worry, it's quite an easy fix."

    Batman continued. "I'd bet my submarine that the Lazarus Pit is underneath Netherfield, the estate Bingley was so eager to let." Reluctantly, he added, "If you listen to the gossip."

    Alfred nodded in agreement. "Mr. Bingley could use the pit any day now, and when he does, this town is doomed."

     "Plus, no one is actually in that good of a mood all the time. I find it extremely suspicious."

    ***

    A neighbor of the Bennet family, Miss Lucas, came with her children to talk about the ball.

    "This Batman," said Miss Lucas, "has an excuse for his pride. He has excellent posture and an imposing fortune."

    "Pride," said Mary, "is a very common failing."

    "Shut your stupid mouth, Mary," said Lizzie. "I'm so sick of your bullshit."

    "If I were as rich as Batman," cried the young Lucas son, who came with his sisters, "I should not care how proud I was! I would keep a pack of monkey bears on leashes, and drink a bottle of wine a day."

    "I can't deal with this anymore," Lizzie muttered, and left the room.

    "That Mr. Bingley is so excessively handsome," Mrs. Bennet said, "and his sisters are charming. But that Batman fellow is horrid, doing nothing but skulking around the ball in that strange clothing, muttering something about a pit. He is a pit! I quite detest him."

     ***
    
    Some time later, a large party was assembled at Sir William Lucas's. Mary finally finished an interminable concerto and her younger sisters, some of the Lucases, and a number of officers danced at one end of the room, where they weaved their steps and the men raised their arms over their heads, snapped their fingers, and gave a yell.

    Batman stood nearby in silent contempt and indignation, and could have sworn he noticed Lizzie Bennett in the same mood.

    Sir William approached him. "What a charming amusement for young people! There is nothing like dancing, and these Scotch dances are so – "

    Batman narrowed his eyes in suspicion. "Did Ra's al Ghul send you?"

    "I beg your pardon, but I'm not familiar with that fellow. Don't you think that dancing is the most – "

    Batman turned on him with a snarl, lip curled. "Why are you people so obsessed with dancing? How clear can I make this? I don't dance. I train, every waking hour, to fight crime. I train my body, and I train my intellect. It's a nasty, brutal world, with no shortage of supervillains or Lazarus Pits. No one is dancing."

    Sir William turned red and fidgeted with his cravat. "Well, I say... are you in your altitudes, my friend?" He looked around for Batman's nonexistent drink and tittered nervously.

    Batman glared. "I don't have friends. I have allies."

    "Now, where did you say you were from, old chap? Stevenage?"

    "Gotham City."

    "I'm not familiar."

    "You're lucky," Batman growled. "It's a cesspool."

    "Well, upon my word," Sir William said, then muttered something about dancing with Lydia and wandered off.  

    Mr. Bingley watched him go as he took Sir William's place next to Batman. "The Meryton assembly was the most charming thing. I have never met with more pleasant people or handsome girls in my life." Mr. Bingley prompted him with a smile. "Don't you agree?"

    "I'm in hell," Batman said, quietly.

    Mr. Bingley turned away for one second, and when he looked around again, Batman was gone.

    "Upon my word, he was just here!"

     ***

    Batman left the Lucas's early and met Alfred at Bingley's estate, Netherfield, where they searched for the Lazarus Pit.

    "I know it's here," Batman said. "Bingley is too cheerful and well-liked to not want his own Lazarus Pit. Have you heard people talk about him?"

    "They quite admire him, it seems."

    They checked the library for secret doors. Mechanisms for Lazarus Pit access were predictable in estates of this size.

    "Bingley's so rich, Bingley's so handsome," Batman mimicked as he felt around the fireplace. "He's the best dancer! He has the best breeding, like a Derby horse! Bingley's the opposite of Batman, who's so haughty and doesn't even dance!"

    "Sir, you are far more rich and handsome than Mr. Bingley. I hear that he inherited mere property from his father, who didn't live long enough to purchase a proper estate."

    "And was his father killed right in front of him? Were his parents murdered as he watched? Did he make a solemn vow to seek revenge on all criminals in his city? NO! But he's such a delightful dancer and that's all that matters!"

    Batman unlatched a bookshelf door next to the fireplace by pulling on a model boat. The door opened, and they descended the stairs.

    The stairs led them to a long, chilly room made of limestone, where an irregularly-shaped pit of liquid steamed and formed blisters. They moved closer. The cyan-colored pit, immured much deeper within curved sides made of the same limestone, was streaked with fingers of cola-colored liquid and ringed with a lime-green hue. Alfred pointed to a set of wet footprints leading from a ladder. "It's too late. Mr. Bingley's already been in the pit."

    Batman smirked a little. "Which means that Bingley will be violent and insane. I wonder how they'll like his dancing now?"

    "Don't be pettish; it doesn't become you."

    Batman tossed the canister that he had brought with him from Gotham City. Moments after the canister reached the pit, the lake solidified to black. "No one will ever use that pit again, but I hope we're not too late to stop Bingley before he slaughters everyone in town."


     ***
    
    The ball room was soaked in blood, which had spattered over the walls in dots and long arcing streaks, pooled and smeared on the floor, and even splashed on the chandelier. They found Bingley wolfing down entire platters of dry cake and pouring lemonade into his mouth from a pitcher.

    "We're too late," Alfred said. "Damn those chickens in the road!"

    Batman leaned in to Alfred. "I almost regret sealing the pit. I could have resurrected everyone so they could find out what their precious dancing Bingley did."

    "That would be monstrous yet gratifying. But we shouldn't dally in taking care of Mr. Bingley before we return."

    A voice from just inside the entrance startled them. "No need."

    Lizzie Bennet, wearing form-fitting military clothing, advanced on Bingley and held up a futuristic superweapon. Bingley noticed her in his peripheral vision and ducked behind a chair.

    She calmly pursued her quarry. "My group, the Marmot Claw, sent me back from 2315 to close a Lazarus Pit."

    "We already closed that," Alfred said apologetically.

    "Really?" She rolled her eyes. "It is not easy to get any free time in this place. I was stuck at the house, dancing and making light conversation." Lizzie shot them an angry look. "It took three months of intensive training just to fit in here, and then you just close the pit right out from under me, after all that undercover work."

    "It's really just fortuitous timing," Alfred said.

    Bingley popped up like a prairie dog and she swung the weapon toward him. He darted back out of sight.

    "What happened to the real Elizabeth Bennet?" Batman asked.

    "The real Lizzie is living in 2315 with implanted memories, working in a clinic that provides psychological counseling to end-of-life robot models. She's fine." Lizzie shook her head grimly. "And better off, getting the hell away from that family. They still haven't noticed the switch."   

    Bingley ran for another chair, but Batman threw a tranquilizing dart that embedded in Bingley's neck. Bingley ripped it out and ran toward the three of them as Lizzie aimed her weapon and pushed a button. Bingley was instantly encased in a ghostly web, then vanished.

    Lizzie lowered her weapon. "Carbon composite and nanomaterials. It takes him to a prison in 2315. Well, it was lovely meeting all of you. Until the next Lazarus Pit. Next one's mine." She shook their hands with a firm grip, then faded away behind an undulating digital scrim.

    "I forgot to ask her if incessant dancing has become a cultural obsession again in 2315," Batman said.

    "Judging by her weapon," Alfred noted, "I sincerely doubt it."
 

My Schedule for Norwescon 2015

I'm thrilled to be an attending pro at Norwescon this year, and even though this is clearly a huge clerical error, I'll be moderating quite a few of the panels. If you'll be there, come say hi. I'll also be doing a reading, so feel free to attend that in some kind of full animal-head mask to make it feel like I'm in a David Lynch movie.

Fri 11:00-12:00
Fantasy vs. Reality
Evergreen 1&2
Nina Post (M), Renee Stern, Esther Jones, Rhiannon Held

Fri 1:00-2:00
Anatomy of a Pandemic
Cascade 7&8
Misty Marshall (M), Brent Kellmer, Nina Post, Vickie Bligh

Fri 3:30-4:00
Reading: Nina Post
Cascade 1
The Last Condo Board of the Apocalypse – When hundreds of fallen angels and dimension-hopping monsters take over a highrise condo building, a down-on-her-luck bounty hunter must team up with an unlikely group of allies to prevent the apocalypse. Rated PG.

Fri 6:00-7:00
Plagues That Afflicted Europe
Cascade 7&8
Alan Andrist (M), Adrienne Carlson, V Whitlock, Nina Post, Kurt Cagle

Fri 7:00-8:00
The Languages of Speculative Fiction
Cascade 12
Gregory Gadow (M), David Peterson, Kurt Cagle, Eva-Lise Carlstrom, Nina Post

Sat 1:00-2:00
Your Anti-Procrastination First Aid Kit
Evergreen 1&2
Nina Post (M), Jennifer Brozek, Stephanie Herman, Kevin Scott, Harold Gross, Gregory Wilson

Sat 2:00-3:00
Horror on the Small Screen
Cascade 5
Nina Post (M), Jason Bourget, Amber Clark, Eric Morgret, Morgue Anne

Sat 5:00-6:00
Character Arc, Plot Arc, Story
Evergreen 1&2
Nina Post (M), Randy Henderson, Craig English, Nancy Kress, Camille Alexa, Susan DeFreitas

Sat 6:00-7:00
When Is It No Longer Horror?
Cascade 7&8
Nina Post (M), Gordon Van Gelder, Nathan Crowder, Michael Robles

Sun 12:00-1:00
Collaborative Writing
Cascade 10
Frog Jones (M), David Peterson, Nina Post, Steven Barnes, Esther Jones

Q&A with Jessa Russo, Author of Ever

I'm thrilled to welcome Jessa Russo as part of her Ever Blog Tour, which has been like the Dakar Rally or the Western States Endurance Run. I'm going to throw her some bottled water, energy gels, pretzels, and bananas.

Jessa's debut novel is the YA paranormal romance EVER (which has a beautiful cover). It was published in October 2012 by the innovative Curiosity Quills Press, who also happen to be the publisher of my first three novels.

You're a California girl, and you’re from south Orange County. How do you think living there has informed your writing?

That’s a tough question, but on a very superficial level … EVER takes place in Orange, which is an area I am very familiar with, so I think that helps when writing a story. You already know the layout of the area – the streets, the attractions, the food – so it makes setting the scene a lot easier. In my opinion.  

Which author's career do you most want to emulate in the long run and why?

I can’t think of anyone in particular. I want to get all of my book ideas on paper, and I want to grow and learn with each story. I want the world to love my books, so if I could emulate anyone, it would be someone who has a following of people devoted to their stories.

Which of your characters is the most similar to you, and which is most different?

Ever. Definitely Ever. I didn’t realize it when I was writing, but the more I get to know her, whether re-reading the book, or working on book two, and the more that I hear feedback from friends, I realize she’s pieces of me. Pieces of me now, and pieces of me as a teen. As far as most different from me, it’s a tie between Jessie and Ariadne. Though completely different from each other, they both have the confidence I’ve always thought I lacked. Jessie lights up a room when she walks in, and Ariadne makes all heads turn. I’ve never felt that I hold that kind of easy grace or confidence.

Are there any of your characters you wish you could be more like? Why?

Well, in truth, I think there are bits of all of them that are me, and bits of all of them that I wish were me. I wish I had Jessie’s easy-going nature, Ariadne’s confidence, Frankie’s ability to love unconditionally, Toby’s strength, and Ever’s ability to trust and love so openly.

What is your writing schedule like?

Ha! Currently, it is non-existent. But when I’m not devouring manuscript submissions for CQ, I devote all of my free time to writing. I’m blessed to be a stay-at-home mom, so while my daughter is at school, I write all day. But my favorite time to write, and the best time in my opinion, is first thing in the morning. After my husband goes to work, but before my daughter has to wake up for school … when it’s still dark outside, and the coffee is flowing … that is my favorite time to write.

Where do you want your career to be in ten years?

As far as writing goes, I want to have all three books of The Ever Trilogy released, along with the prequel (from Toby’s POV). I also want my other works in progress to see the light of day. I have an awesome story – a loose biblical retelling – that I can’t wait to share with the world, but I have had to put it on the backburner for now. But it is going to be good. Really good. (At least, in my humble opinion. Lol) As far as my job with CQ goes, I want to watch authors reach their publishing goals because of me. I want to have a part in starting the careers of some amazing undiscovered talents. And if all of this goes well, for both my job as a writer, and my job as an Acquisitions Editor for CQ, I really want my husband to be able to do what he loves. So hopefully everything works out, and our financial situation changes enough to make his dreams a reality too. God knows he’s worked hard so I could stay home with our daughter and chase my writing dreams. I’d like to be able to tell him some day that it’s his turn.

What's the best advice you received while working on Ever?

Hmmm … I’d say that my friend, Marisa, telling me to write my “morning pages” every day, started me off on my early-morning writing path, and in turn helped me find the time and drive to finish. It also helped me realize that in order to write my book and write it well, I had to write every day. Something I’ve forgotten as of late, but I hope to return to soon.

What type of book do you think would be the most challenging to write?

Oh geez. There are two types of books I can think of off the top of my head. First of all, anything based (loosely or otherwise) on history – any history. I recently read an amazing submission for CQ – a YA historical romance – and I was blown away by how much research the author had obviously put into the book. It baffles me. Secondly, I have a hard time wrapping my mind around completely made-up worlds. So anything that takes place somewhere other than modern day America, is mind-boggling to me. I just don’t feel like I have the ability or creativity to completely form another world entirely, and authors who do that are totally amazing to me.

What role does your husband play in your writing process? Is he involved with brainstorming or editing, or encouraging you during every writer's occasional spiral into despair?

Oh geez. You ask the tough questions, don’t you!? Honestly, my husband doesn’t read fiction. He doesn’t understand why anyone does. So you can imagine how un-enthused he is about my young adult paranormal romance about a seventeen-year-old girl in love with a ghost! Lol! He’s a very factual, scientific person. He wants to learn something from what he reads. He loves reading instruction manuals. Haha! Can you imagine!? I’d go crazy without a fictional boyfriend to love, or a mystery to solve! So he’s as supportive as he can be. More so now, for sure, since the book is a real thing and not just a hobby. I think for a long time he thought I’d just found something to occupy myself with, but now that he has seen it come to fruition, and holds the book in his hand, I think he finally gets it. And I know he’s finally proud of me.

What was your favorite book (or series) when you were your daughter's age?

I LOVED the Scary Stories to Tell in the Dark books. Those were probably what introduced me to my love of all things paranormal. From there I read everything by Christopher Pike. He was my favorite childhood author, though I’m not sure I was reading him when I was nine. I can’t remember though – a lot of my childhood memories are missing.

I'd like to thank Jessa for taking the time to answer my questions. Her debut novel is available on Amazon and Barnes & Noble. You can also learn more about Jessa on her website, or follow her on Twitter.